Consolidating a folio of drawings and a written reflection on Part 1

I chose nine drawings to send to my tutor for ongoing feedback. Five of them were from the work I did in Project 2, drawings of the blankets from the archive. I chose a mixture, ink, drypoint, collage and watercolour/pen ones:

I found drawing the blankets from the archive quite a challenge. Trying to record the textures, patterns on a cloth was hard and required a few different approaches. I learnt that I needed to be a lot more focussed and selective when drawing, as it’s almost impossible to process and respond to all the information I am taking in at once, I found it better to make decisions about my drawing. So some I focussed purely on the marks and patterns I could see. Others I found rearranging the fabric and not having it laid out straight was more interesting compositionally. Translating these marks into collage also required me to think differently. How to portray such fine textures and details? I had never thought of using collage in this way. I’ve only ever thought of in terms of shape and form. I have also turned to colour more, and investigated printmaking a bit.

I selected four from Project 3 looking at my flower studies.

Although I enjoyed collecting and arranging my own sources to record from. I don’t think I pushed myself as much in Project 3: Picking and Portraying. I had lots of initial ideas of really playing around with print, pushing the ideas of composition as suggested in the file, but due to being ‘on/off’ with my study time at present I found it hard to keep up the momentum. I think I played it safe/easy in terms of materials.

I really enjoyed looking at Blackadder and Askey in particular – but wondering how I could bring in some other elements. From the research points, I noticed how often I was drawn to and picked out the elements of composition as well as when artists made a bold visual response.

 

Nostalgia

I find that these Welsh blankets carry a lot of nostalgia for me. It makes me think of people living in more humble situations. A more humble time. These blankets are functional. I associate them with people living in harsher winters, in cold stone and slate cottages with fires and the odd age. It creates an image of ‘home and hearth’.
Even visiting the collection, Jane Beck has recreated a tin shed, full of bakelite goods, using scraps of blankets and made them into cushions, hot water bottle covers, tea cosies…She even has Radio 4 playing in the shop. These evoke another time, a post war era of ‘make do and mend’, rationing, keeping warm, keeping together…cosy, safe, protected.
It is a heritage that isn’t my own, but living here in West Wales, a strong sense of these values remain. The rural life and culture here move at a slower pace then the one that I was brought up in London.
Nostalgia has definitely been making a comeback these past few years. There seems to be a return to bespoke/handmade/craft/ancient arts/vintage. In a world of speed, change, returning to something old can give us a sense of security.
These blankets are standing the test of time, and still serve their purpose.
Particularly the two made by Daniel Lewis all woven with a 4 heddle loom from his house in Barley Mow.