Larger Samples


Having looked back through my drawings, as the task requested, I chose two different pieces to work from: a large ink drawing and a small etching on an inky background.

I thought one was interesting because of the different opacities I had gained – using the ink in a number of ways and I was interested to see how how I would translate this into stitch.


I prepared my paper by creasing and folding, based on one of my earlier paper manipulation samples. I thought this would achieve some of the dynamic qualities of the piece and create movement. I used a mixture of black threads and wool to create the variety that the depths of marks show on the paper.

The watery diluted geometric shapes in the corner of my drawing I translated by using plain cotton thread and created long line stitches side by side. I think this is the most successful of the stitches/marks I have interpreted.

I noticed with working on this exercise that I did get bored and fed up with working on them. They are not completely finished, but maybe that’s because I felt like I ‘got’ what I needed from them.

I finally decided to honour my unlinear way of working, and despite not having fully completed this task, nor spent much time ‘planning’ the assignment. I nonetheless decided to dive straight in.

Radical Craft and Itinerant Quilters

Living in a smallish town in mid Wales, it’s not every day I get inspired by exhibitions! We do have an Arts Centre with two galleries that curate often interesting shows but they are on for some time so I can feel culturally starved once I’ve seen whatever is on.

However I recently went to visit the ‘Radical Craft: Alternative Ways of Making” exhibition at Aberystwyth Arts Centre which really blew me away. It is rare that I visit an exhibition that I find so inspiring I want to keep going again and again. I took some students on my second visit.

I drew drawings and made notes and even bought the catalogue!

What I found so inspiring about this show was how I noticed nd it was focussed on artists who work intuitively with their process and don’t necessarily know what their outcome is going to be. Interestingly I found their work so powerful and inspiring, like really the most well curated and inspiring exhibition I’ve been to in a long time!

So as I heard myself say these words to my students, something clicked for me- that I need to work intuitively too and trust my own process….trust it will lead me down the right path.

And then yesterday I heard that Ceredigion Museum were hosting Two Itinerant Quilters┬áso I whisked my daughter and I off wearing one of my most loved and oldest dresses to be ‘mended’. IT was a really fun experience, it felt great to take part in something, to offer a piece up to a quilt and to have my dress ‘up cycled’ at the same time.


I thought it timely since I am due to work on Research Point 1 and begin to consider artists and designers who work with the theme of mending, re-using and recycling.

Both the exhibition and the quilters have made me think about this even more. Using and re-using materials, using what is around you. The effects that you gain when you leave some of your making to chance, to working with what appears before you.